When the culture war ends, what begins? Join us for a live, experimental series studying the worldviews that are actively shaping the world. This is a four-week experience happening at The Stoa. Oct 17 to Nov 7 @ 12 pm ET. Choose your price (recommended $40, but feel free to contribute more or less). Attendance at all sessions is not required.

An exploration of individuality after the internet The Post-Individual First Edition includes "The Post Individual" essay, an audio recording and video introduction by the author, and research notes behind the piece

A century-old myth. Aliens, war and magic. What do they reveal about our modern era of technology and media? The War of the Worlds Did Not Take Place is a 24-page tabloid newspaper created by Nick Susi with visual objects by Domingo Beta. Debuted at FWB FEST25, with an original score by VÉRITÉ.

Incidental Container is simultaneously a singular artwork and group exhibition conceived and organized by Jason Isolini. Featuring artists: Jake Brush, Courtlin Byrd, Tomi Faison, Sarah Friend, Xavier Mcfarlin, Rebecca Millsop, Zach Nader, Georgica Pettus, and Molly Soda. The IC tote-bag is a unique work derived from the artists' collaboration.

Notas sobre cómo internet se volvió corporativa. El periodista y escritor José Heinz recorre la historia de la cultura web para mostrar cómo pasamos del espíritu pionero y experimental a la internet homogeneizada y corporativa que habitamos hoy.

An annual publication for exploring the vast poetic web, featuring essays, musings and a directory with the personal websites of hundreds of designers, developers, writers, curators, and educators. Ships from Europe.

Get detailed Notion templates for all the exercises in the Artist's Way book. ⋆౨ৎ˚⟡˖ ࣪ Unlock your higher creativity with the self-guided 12 week program in the Artists Way written by Julia Cameron. Join artists like Doechii, Alicia Keys, Bella Hadid, and more in the creative transformation guided by these exercises.

A series of reflections from my (Yancey's) creative experiences expressed as a written essay (the A-side) and video essay (the B-side)

A book about how to survive on the internet. It’s about the cozy web, the dark web, the dark forest, the clear net, the dark net, and a new social world emerging around us. This is the Dark Forest Anthology of the Internet.

The definitive Other Internet anthology collects our essays and reports in print for the first time, traces crypto-cultural history in 6 new pieces, and surfaces new material from the OI archives. Ships September 2025. Pre-order now.

This 36-page risograph-printed pamphlet is a radical & practical guide to reclaiming your life from digital technology.

nCHANT's inaugural issue explores digital gardens as autonomous spaces for expression beyond platform capitalism. Features research with Trust community, essays on fractal structures, self-hosting guides, and philosophical dialogues. Published by REINCANTAMENTO, this issue offers a glimpse into a more personal Web.

a digital magazine filled with my favorite images & missed connections collected from newyork.craigslist.org in september 2025 ♡

FANDOM is a communal publication which features critical and experimental short-form responses to the theme of fandom from a variety of upcoming writers and artists.

A four week intensive to familiarize participants with core texts and issues in the debate over the role of technology in society, its politics, and future. Mondays: 10/6, 10/20, 11/3, 11/17 @ 6:30 - 8:30pm EST

"What If?" is a working journal: a reader-reviewed, iterative publication written to evolve alongside conversation. Each chapter is curated around a "what if" prompt—what if WFH took place in Vision Pros? Curators of the working edition (this release) can vote on journal submissions, curate chapter content, and read with the Glass Mirror community.

The first available public declaration and guiding principles of the Deterministic Intranasal Guild, as written and executed by the Board Of Olfactory Grazing Engagement Review.

Bad Kingdom is a poetic visual novel that follows three characters: Robin in Taipei, Swan in Tokyo, and a mysterious Crow, as they reflect on the loss of their beloved online multiplayer game Fly Like a Bird. The piece is presented both as an interactive Ren’Py visual story and as a comic in PDF format.

a small digital magazine filled with my favorite images & missed connections collected from newyork.craigslist.org in june 2025 ♡

a small digital magazine filled with my favorite images & missed connections collected from newyork.craigslist.org in july 2025 ♡

In June 2023, Metalabel put a yellow newspaper box on the street of the Lower East Side in NYC, and filled it up each day with copies of a free zine that celebrated a New Creative Era. This release documents that original release and makes the zine available for download.

The original essay, ideas, and research that inspired Metalabel, including: — Unpublished research and thinking from May 2021 — The initial manifesto, first published in February 2022 — Further research, first published in October 2022 Preserved and collectible as a new media archive.

Since 2017, the Ideaspace has been my outlet for exploring creative forms and sharing ideas. This release shares audio of four of my favorite interviews — with artist Hank Willis Thomas, economist Marianna Mazucato, and authors John Higgs and Eric Wargo — in a free .zip download.

a digital magazine filled with my favorite images & missed connections collected from newyork.craigslist.org in august 2025 ♡

Is our digital identity shaped by the constant stream of online trends and memes? APEX, a cutting-edge zine dives into the intersection of AI, identity, and digital culture- journeying through past, present, and future to answer this. From "Modern Accelerationism" to "Cybernatural Synergy," APEX offers fresh perspectives on evolving digital selves.

A trilogy of essays published from 2019 through 2021 that explores why I and others feel less comfortable showing our true selves online. Reissued here with the original piece, two follow-up essays, and a podcast conversation with The Stoa exploring the concept.

Here is a re:re:reality ~ This is the film - ENDLESSITY. Set in no-place 2 empty_world_empty_ai_fantasy_world of L00bi’s pixelated dreams. Thisss one is heaven. This one is ethereality limbo dissolve. L00bi’s aching emptiness is no longer scattered - she knows what she wants(!) How to become nothing |-|3|_|>, my friend, let me go |-|0//\3.

Will we still be asking people to like and subscribe in 10 years? "After The Creator Economy" explores constructive alternatives for the ways we produce, distribute, and monetize creative work online. Co-edited by Austin Robey (Metalabel) and Severin Matusek (co—matter), this release preserves and digitally reissues the zine.

An exploration of individuality after the internet. The Post-Individual includes: — The Post Individual essay — An audio recording by the author — A video introduction — Research notes, early drafts, and slides

Our debut issue traces LAST HUMAN’s roots, from eerie prototypes at Lincoln Center to glitch-laden mobile rituals. Dive into neurothrillers, post-cinema, and AI resistance as we explore a decaying web of synthetic identity, broken interfaces, and the horror of a world where reality no longer loads.

Issue #002 documents our latest LAST HUMAN prototype—a creepy descent into the AI slop of the dead internet, Participants were dropped into a glitching system with one urgent task: hunt down their doppelgänger. It’s a game of human CAPTCHA—prove your humanity before the algorithm erases it.

Do Not Research is a “detestable band of washed up millennial seapunks” and “zoomers obsessed with Mark Fisher”. It is also a highly active online community that publishes writing, visual art, internet culture research and more.

Do Not Research is a platform for art, writing, internet culture and beyond.

Our third anthology book. DNR began as a private Discord server gathered to discuss memetic tactics and emergent political trends.

Whoa, Vol. 1 – Conversations To Make You Feel Human A limited edition print publication of 100 copies exclusively sold at Metalabel (for American collectors), and an unlimited digital edition worldwide. Also included: private podcast and YouTube feeds of each unedited conversation. By Sublime and Printernet.

A 52-page zine exploring how artists can channel their creative anxiety. Features contributions and insights from Aubrey Plaza, Melissa Broder, Anelise Chen, Jlin, Mike Rugnetta, Henry Rollins, and Nikki Sixx

4 week intensive course delving into the core ideas and questions explored in the foundational stages of DNR. We will examine artworks, texts, and online media covering: internet-informed identity, political futures, & post-internet art. Facilitated by artist Theresa Tomi Faison via Discord, TUESDAYS 10/7, 10/14, 10/21, 10/28, 6:30-9:00pm EST

Four week intensive course delving into the core ideas and questions explored in the foundational stages of DNR. We will examine artworks, texts, and internet media covering topics: internet-informed identity, political futures, & post-internet art. Facilitated by artist Theresa Tomi Faison via Zoom, SUNDAYS: 10/5, 10/12, 10/19, 10/26, 1-3:30pm EST

78 card tarot deck featuring drag and drop dressup dollz

The Autonomous Worlds Network’s first publication offers a new vocabulary for a new era of worlding.

A book about the cozy web, the dark web, the dark forest, the clear net, the dark net, and a new world emerging around us. This is The DIGTAL Dark Forest Anthology of the Internet.

Subcultural Memories and Vernaculars of a Layered Imaginary

DJ Meisner (b. 1997) is a visual artist based in San Francisco, California. This volume features works created between 2020 - 2024. 48 pages, 8 x 10”.

A unique look into young online memetic subcultures where gen Z teens explore radical politics such as: eco-extremism, neoreaction, anarcho-primitivism, transhumanism, anarcho-capitalism, the alt-right, post-left, egoism and cyber-nihilism. 2018 - 2021. 6x9". 134 pages.

HEART's logo on a classic Hanes Authentic T-shirt in Pale Pink

Rich Text maps a lineage from printing presses and the typographers’ unions that fought automation to today’s slick WYSIWYG software and AI‑generated prose and reveals rich text formatting as a site of resistance where users wield boldface, italics, links, and raw code to reclaim autonomy.

A book of screenshots taken in the game IMVU

This was the manifesto that launched the time machine.