An exploration of individuality after the internet. The Post-Individual includes: — The Post Individual essay — An audio recording by the author — A video introduction — Research notes, early drafts, and slides

An exploration of individuality after the internet The Post-Individual First Edition includes "The Post Individual" essay, an audio recording and video introduction by the author, and research notes behind the piece

A history of memetic circulation, situated within a genealogy of occult logics...

"Legal Structures for Creative Practices" is an illustrated zine designed for creative entrepreneurs that unpacks the pros, cons, and nuances of various legal structures to help choose the one that will best suit their unique practice. View the digital zine at: AThousandForests.com

Print edition of my English translation of Sefer Yesira, an ancient Hebrew mystical text that first promulgated the concept of combinatorial creativity. You can buy the print edition for $221 via the Blurb link in the release notes. I have provided a free PDF of the entire book and mp3 audio of the translated text via Metalabel.

Will we still be asking people to like and subscribe in 10 years? "After The Creator Economy" explores constructive alternatives for the ways we produce, distribute, and monetize creative work online. Co-edited by Austin Robey (Metalabel) and Severin Matusek (co—matter), this release preserves and digitally reissues the zine.

A practical introduction to typography; from anatomy and spacing to legibility and alignment, for people who want to create type that reads beautifully and feels intentional.

How has technology shaped and been shaped by sexuality? This 700+ page artist book gathers anecdotes, artworks, and historical artifacts that reveal the pervasive and perverted origins of our digital tools.

Cover: Petra Costa (Apocalypse in the Tropics). Features: Mstyslav Chernov on 2000 Meters to Adriivka, Brent and Craig Renaud, San Quentin Film Festival, David Osit on Predators. Festivals: Tribeca 2025, BlackStar 2025. Columns: Producer's Diary (In Waves and War), Screen Time.

Cover: Heiny Srour (The Hour of Liberation Has Arrived, Leila and the Wolves). Features: PINKS, María Alejandra Rojas and Arturo Salazar, Katja Raganelli, Rintu Thomas on Writing With Fire. Festivals: Doc's Kingdom 2024, CPH:DOX 2025, Jeonju 2025. Columns: AI Tips for U.S. Documentary Filmmakers, Screen Time.

Cover: Brittany Shyne (Seeds). Features: Sugar Studios, The Perfect Neighbor, Caribbean documentaries, nuclear documentaries, Julie Goldman, Impact Partners. Festivals: DOK Leipzig 2025, Ji.hlava 2025. Columns: Screen Time.

Cover: Scott McElwee (Remake). Features: Artegios Distribución, Fortuyn: On-Hollands, Melania, Meta’s ad restrictions, The Sinking of the Lisbon Maru, no-fly year. Festivals: IFFR 2026, Kolkata People’s Film Festival 2026. Columns: What‘s in My Bag (Katy Scoggin), What‘s on My Desk (Daniel Garber), Legal FAQ: Production Insurance, Screen Time.

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Esta publicación combina exploración, reflexiones y una guía práctica con herramientas de uso práctico. Propone una visión integral y crítica sobre cómo la IA está transformando las formas de creación y producción musical, ofreciendo un recorrido por el contexto, los usos y los desafíos éticos y legales que conlleva.

The sixthedition of Fishnet Magazine explores the topic of Eroticism. This zine is made up of various artists' works, varying across all different mediums. Preorder shipping starts in May.

Class Fantasy is an action RPG card game that pairs fantasy character classes with political ideologies. The game accommodates 2 - 12 players. Your goal is to defeat other characters in battle and achieve utopia.

The digital zine that is a result of the April 2026 Creasidence Manga Residency held in Tokyo. Over the course of 4 days, 8 artists from around the world came together to co-create a comic zine centered around the theme of the world of Insperion. Each page's center is the frame by the Lead Mentor & comic writer, Diego 8sided Infante.

Quiet Media is a print-first publication founded on the simple belief that our attention is our most valuable resource, and it should be treated with care. Through the perspective of 15 contributors, the inaugural issue explores what changes when we stop optimizing for speed and volume, and start designing for depth and meaning instead.

Notas sobre cómo internet se volvió corporativa. El periodista y escritor José Heinz recorre la historia de la cultura web para mostrar cómo pasamos del espíritu pionero y experimental a la internet homogeneizada y corporativa que habitamos hoy.

ON SKIBIDI is the first in-depth critical examination of Skibidi Toilet. Based off a 3M+ view TikTok series analyzing the YouTube Shorts, this pamphlet seeks to ground Skibidi within its historical moment and use it to illuminate the uncanny configurations of self and screen that define digitality today.

BOOK of HOURS is a free 236-page PDF intended to be viewed in 2-page format on a handheld digital device. Taking the idea of the medieval prayer book into the virtual age, it provides light but also underscores our vast separation from the natural and spiritual worlds.

Economic precarity is up. Market demands are too. People are drowning in digital overload. Political threats loom. The second Anonymous Creative Futures survey shares what 300+ anon artists and creators feel about this moment, their words 100%.

Retrograde Prometheus tells a story of psychoanalysis today—two decades into the Ontological Turn—and its encounter with computation, advancements in quantum theory, with Exocapitalism, with pluralism, and more.

Nine writers explore the future of the internet.

Where are we now as creative people? Where are we going? What do we vision for the future? 75 creative people anonymously share the dreams, concerns, and joys grounding their creative thinking for the year ahead.

Artist and filmmaker Julian Castronovo's award winning film "Debut, or, Objects of the Field of Debris as Currently Catalogued" is now available via this special edition postscript zine which includes a private online viewing link.**(Upon purchase temporary link to full film will be emailed directly.)

Our second book was a strange one, some kind of amalgamation of a lore-dump and a cosmological manifesto. It's now available to read as an e-book.

At the core of this project is a translation of “Marxist Islam or Islamic Marxism,” a groundbreaking text written by Bizhan Jazani during his imprisonment in the 1970s under the Shah’s oppressive regime. Translated by a GPT modelled on Jazani's writings, and edited by Parham Ghalamdar.

A zine about the collapse of reflection in a culture of infinite visibility. A fractured mirror inviting readers to rethink what it means to be seen.

The definitive Other Internet anthology collects our essays and reports in print for the first time, traces crypto-cultural history in 6 new pieces, and surfaces new material from the OI archives. Ships September 2025. Pre-order now.

Conceived by Oliver Herring and recounted by DOT Curator Sam Rauch, TASK is a group artmaking activity that can lead to collective chaos (and a lot of fun!)

A Phone of the Artist as a Young Man is a dizzying descent into digital madness, where one man's screen addiction and artistic ambitions collide in a genre-bending exploration of love, technology, and the disintegration of the modern mind. It's the first ever long-form screenshot.

neutra is a sans-serif typeface inspired by the aesthetics of retro-futurism, gen x soft club, and y2k. rooted in a geometric approach, its minimalist forms have a sleek, technical feel with a nod to space-age graphics.

Is Not Music. Issue 02 highlights artists whose legacies far outstrip conventional measures of success. In a time when the future feels stalled — these artists serve as our north stars. They’re mile markers we glimpse as we drive forward. Ships Worldwide.

"Alt-Alterity" envisions a world where the notion of “alterity” dissolves, making way for new affinities. In response to an era marked by crisis, this curatorial project serves as an artistic provocation, navigating you through speculative realities, rebellious technologies, and fluid identities shaped by the ideas and works of 31 artists.

i’m calling this new series “art from the apocolypse” - and it’s ideal for those life momenets you need to decorate quickly but don’t have time to spellcheck. Perfect for minimalist loving therapists, mental health professionals, and past life regression practictioners who got D's in history class & have an unusually low startle index.

After an entire 365 days, the original New York City Garbage cubes are back for the final drop of Season 2. Last year's 50 sold out quickly, so we've added a few more to the pile (65) to give more folks the chance to give the gift of Garbage this year.

The Quester’s Guide (Magic issue) is an interactive journey of ideas, activities and stories designed to make you see the world differently and turn the world into a creative playground. Explore through our book, a virtual platform of collective research, and a deck of prompt cards. For people fuelled by curiosity.

The Emergency Was Curiosity is a book report gone wild; an exhibition and event series; a pandemic diary; an ongoing response to Jenny Odell’s book How to Do Nothing. The project invites you to cultivate your attention, to explore your own weird, category-resistant projects, and to treat your curiosity as a matter of urgency—an emergency, even.

A zine documenting conversations about resistance from activists outside of technology to translate into modes of resistance against genAI models.

This issue of the zine, travels to MAD Arts just north of Miami for a special look at Last Human Studio a collaborative workshop with high school students that blends vibe coding and digital literacy. Over the course of two and a half days, students move from having no prior experience with AI to staging a Dead Internet inspired pop-up exhibition.

Select All Images That Make Your Bones Shrivel is the third zine from the Institute of Machine Unlearning. Created through public experiments and participatory workshops, it gathers CAPTCHAs that refuse recognition and stretch a small security interface into a collective exercise in critical play.

In late 2022, a handful of artists, scientists, movement builders, musicians, and democratic innovators came together to explore making a future based on care and freedom. The process we've called Hard Art began. This series shows how it all started, the frameworks we're using to collaborate, and how it's going.

"A lightly researched field guide for thinking about and/or making creative things" These are observations from real working life, a collective twenty years of our work as professionals in a wide range of fields — architecture, advertising, design, innovation strategy, journalism, and software engineering.

Worlds Unfolding is a guide and inspiration hub for virtual world-making, offering curated prompts, community-contributed projects, and ideas that blend storytelling, design, and imagination. It explores how virtual spaces can foster connection, creativity, and care while critically examining their ties to the dominant paradigm.

Cosmic Sans Software is the first zine from the Institute of Machine Unlearning. Born from a workshop, it brings together collages made collectively as playful, critical detours into how AI is pictured and imagined and how we see, feel, and unlearn with machines.

Free Trade is the second zine from the Institute of Machine Unlearning. Created during a public collage session, it gathers fragments, fears, jokes, and quiet refusals to explore what AI feels like from the inside of everyday life, where attention becomes currency and imagination becomes resistance.

Glint is an experimental artist book created and edited by Tiziana La Melia and Natasha Katedralis. Formally evoking a tabloid, Glint is a roving inquiry of rural, urban and agrarian cycles that irrigate thinking between fantasy, food and fashion.