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Every beginning has an end, sometimes known, most times unknown. The end comes, eventually, gradually, dreadfully. As soon as it closes up, the claws dagger through, getting thorough with time. And by the end, of the end, the enormous, gut-wrenching claw takes it all, takes us all. But isn't that just the beginning?
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When design plays like jazz: spontaneous, responsive, and performed under a ticking clock. Collect This! Issue 5 is about Action as Ownership.
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A whole bunch of hand-drawn stickers, one hidden picture spread over five cities. Going all-city for this final issue, Collect This! finishes with a mural you’ll never fully see.
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Concrete skateboard decks hung gallery-style at former LA and SF skate spots flip the script on cultural legitimacy. Issue 2 shows how a frame - lifted outdoors - can mint or drain value instantly. Here, context isn ’t just background; it’s the currency art is valued in.
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Collect This! Issue 3 stages an “illegal street-art exhibition” with nothing but a plywood sandwich board. The sign promises danger, offers no clues, and lets curiosity spin its wheels, turning confusion itself into a temporary spectacle of value. For real!
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Graffiti's value system prizes risk and visibility. Wiped clean? Nothing to see here, but now you can't unsee it. Collect This! Issue 4 is about Absence as Protest.
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a zine for the discussion on grief as a portal to [the construction of] the inner temple, which exists within all of us and at the threshold of this world and the next.
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Ten concrete Nikes, no author, no sale. One year of rumor does the marketing. Issue 1 - Scarcity as Structure shows how absence flips hype into currency.
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I have demonstrated that the Sunspots are neither Stars nor permanent materials, and that they are not located at a distance from the Sun but are produced and dissolved upon it in a manner not unlike that of clouds and vapors on the Earth -Galileo Galilei
